A Cure Thing
David Chelsea, who drew The Dawn Patrol's wonderful signature caricature (at left) writes, "You say you know what you believe is true because it cured your depression. Would you still believe if you hadn't been cured?"
No. Next question.
Seriously, that's almost a chicken-and-egg situation. The nature of my depression, matched with the nature of my religious experience, was such that my religious experience had to cure me.
With the kind of depression I had—what my then-shrink liked to call "existential depression"—I was outwardly rational except that I hated myself and wanted to die. I couldn't see any purpose of living with pain. To that end, I tried very hard to convince myself that there was no afterlife, and therefore no hell, because I wanted to think that I could end my pain by killing myself.
The positive side of belief in an afterlife—that there might be a heaven—was irrelevant to me. Without having a real and imminent sense of God's hand working throughout the universe, I couldn't see the point of enduring real and intense suffering for some intangible, far-off prize of happiness.
Looking back, I think of C.S. Lewis's observation in The Great Divorce that souls who are in Hell believe that Hell began for them on the day they were born, while souls who are in Heaven believe that Heaven began for them on the day they were born.
Although I don't feel particularly heavenly right now—I'm going through a period of personal loss, and not appreciating my blessings as much as I'd like—I do believe that, in a sense that I don't quite understand, I am in Heaven. And I have absolutely no doubt that, during the time when I suffered from cyclical suicidal depression (from about age 17 to age 31)—despite having a loving family, friends, and an often-exciting life—I was in Hell.
So, to return to David Chelsea's question, when I had a faith experience in late 1999 that convinced me both of the existence of God, and that He cared about me, that very knowledge, and the faith it brought, healed me.
One question that David did not ask, but which I think is relevant, is that of whether I would continue to believe in God even if I became depressed again. I think about that sometimes, although it's very frightening and painful to even think of returning to that former darkness. I do believe that, if I were to become depressed again, the depression would not be like it was before, because I know too much. I know that God exists, and I know that, even if my outward circumstances change, there is a truth—God's truth—that transcends appearances.
"For God, who commanded the light to shine out of darkness, hath shined in our hearts, to give the light of the knowledge of the glory of God in the face of Jesus Christ . . . . [T]hough our outward man perish, yet the inward man is renewed day by day." 2 Corinthians 4:6, 16
1:27 PM
|
Thursday, January 30, 2003
Soon to Come: Very early tomorrow morning or later that afternoon, I'll post news of Eden hijinks at the site of the former Lone Star Roadhouse. In the meantime, please read at least the next post down, if you haven't already, and write to tell me what you think (see address at left;substitute the at-symbol for "-at-" [I used a spammer-foiling technique])—not necessarily of the Eden/Seavey dynamics, but of the larger issue. It's important to me. Thanks.
7:30 AM
|
Tuesday, January 28, 2003
[1/28/03, 12:37 p.m.: If you've already read the following, you'll note a slight addition to the last paragraph.]Be Kind—Rewind: Just when I thought that the clock had run out for comments on my time-telling brainteaser post and the ensuing "25 or 6 to 4" post, along comes a lengthy response from the man I'd called by the pseudonym J. But first, since I know Michael Malice (who, despite at least one reader's assumption, is not J.) has his fans among Dawn Patrol readers, I must share his response to my refusal to print a reader's comeback to one of his blog entries:
Thank you from refraining from turning this into a pissing contest, since I (literally) don't understand why someone would care what I think, or why they would bother to send a "comeback." I like it much better when people just dismiss me as an asshole. . .
Now for J.'s response. I did not mention his name in my original posts, because I wanted to highlight our philosophical differences without calling attention to our personal relationship. However, since he prefers to be identified, I'll allow him to identify himself, in the e-mail he sent me a couple of hours ago. I spoke with him after he sent it and he gave permission to print it along with my occasional bracketed comments:Dear Dawn,
Man.
You know I love you, but I must say I cannot for the life of me imagine a worse or more complicated analogy for differing moral/philosophical premises than the Carroll clocks story.
Carroll, who greatly appreciated math, was clearly not commenting on psychology at all except in so far as he was saying that one would have to be nuts to prefer being-precisely-correct only for two instants a day
(which is useless for any practical purposes) to being at least approximately correct, as with a slightly too slow or fast watch (which, it should be remembered, lots of people used back in those non-digital, imprecise days). That's the essence of his joke: that someone would ever be silly enough to defend the broken clock as useful.
So to torture and twist this into an analogy for a metaphysics debate in which the two participants disagree about fundamentals and therefore drift farther and farther apart forever more, let's see how many bizarre moves we have to make:
1. Simply ignore the broken clock (since I'm assuming you see me as a slow, slightly "off" watch and yourself as correct time), which is then doing no work in the analogy.
2. Analogize, in a way Carroll clearly never intended and in no way implies, the slow clock to a philosophical position.
3. Analogize correct time to another, more accurate philosophical position.
4. Imply (in a way he never does) some ongoing, perpetual deviation (as opposed to occasional resetting of the clocks).
5. Throw in the utterly unstated assumption that one of the aforementioned philosophical positions (both of them, as noted, themselves unmentioned and unimplied in the fable) is an unproven or a priori one like belief in a God.
6. And, if we're to take your first entry about all this seriously, throw in the side inference that the differing philosophical positions are in some way motivational, such as spurs to moral decision-making
(since you claimed it was all Carroll's effort to show that motivations matter—and I'm glad to see I wasn't the only reader baffled by this claim).
7. Ignore completely the fact that to the extent stopped watches are used as analogies for human thought at all, they are used pejoratively to connote extremely-rarely-accurate monomania (as in the case of a person who always thinks the British are coming and is finally correct one day out of seven thousand because the British happen to come), while —I think—neither Dawn nor Todd was supposed to be likened to a
monomaniac in our last philosophical conversation (unless you're saying belief in God is an erroneous monomaniacal belief, but that seems unlikely).
All I can say is, if that's an analogy, I can't imagine what two things in this world you wouldn't see as analogous to each other (and even if I've misinterpreted some portion of your interpretation, which
certainly seems likely, I can't imagine that the real story is going to be a much smoother one). Why not claim that the battle of Waterloo is an analogy for the differences between folk and rap music while you're
at it? Or that the difference between slavery and freedom is best understood through the story of the tortoise and the hare (perhaps by likening the heavy shell of the tortoise to whites of the old South—and just ignoring the hare altogether)?
Indeed, it's an overeagerness to make intuitive/analogizing leaps like that which ought to make observers seriously question whether someone can be trusted to draw any correct oracular hunches about the nature of the universe ("A flock of birds! That must mean we're going to win the war!! Dirt being washed off a horse! It's just like the fall of Rome!!"). And that's why some people are a bit more cautious than certain other people, though I'm not naming any names, about making big leaps of mystical inference from scanty evidence.
Carroll liked logic puzzles and depicting characters who make logical-sounding but illogical arguments, such as that a broken clock is useful. Let's not extrapolate too wildly beyond that or someone may get injured.
I love you, but I think you should leave the philosophical intuiting to others, my dear. (And Michael's basically arguing about completely different issues, and I'm too tired to get into all that, though I think the fact that he ends up having to respond to your piece by defending ethical egoism is itself an indication of how many light years removed the whole debate has gotten at that point from anything remotely like what was going through Lewis Carroll's mind when he wrote about broken clocks.)
But if you do make another foray into this territory (such as posting this e-mail, which I encourage), feel free to name me. No need for the "J." pseudonym. Without being called "Todd Seavey," I guess I sort of
feel like I'm not getting credit for my work. You might even consider restoring my trademark by referring to me as My Ex-Boyfriend Todd Seavey.
Whatever appellation makes you happy is O.K. by me, though. But if I ever get my own blog—and it's tempting, just so I can weigh in on spats like the Eden/Malice Conflict [What conflict?—Ed.]—I will kick asses and name names. . .metaphorically speaking, of course.
Respectfully,
Todd
I love Todd, too.
As anyone who's read his Editor's Rants on HealthFactsandFears.com knows, Todd is a great arguer. Here, he has ably ripped my clock analogy to shreds. My mistake was in attempting to do it piecemeal. I used many examples—the stopped clock's showing how motives matter, the "off" clock's showing how two people can drift apart—but couldn't sustain any of them.
My real point, which I explained in my second post, was that Carroll's brainteaser resonated with me because, wittingly or unwittingly, it worked as a satire on "the futility of trying to explain a metaphysical concept that one knows is right."
In my Friday-night conversation with Todd, I gave him my Christian witness. But an eyewitness report is only valuable if the person who hears it believes that the witness has seen something outside his or her own imagination.
I know what God has done for me. I know how he has changed my mind, body, and spirit, and how he has healed me of suicidal depression. I suffered from that depression for 17 years, and it ended years before Todd knew me. I know how hard I tried to heal myself through books, therapy, friends, relationships, sex, and butterfingered attempts at grasping religious faith. And I know that, when God healed me, he did so in a dramatic, tremendously powerful way that I could only attribute to Him, and not to any wishful imagination on my part. For someone to then say that my faith makes me (along with every other theist, from William F. Buckley on down) mentally "off," and that this healing came from a mere hallucination—how can I respond to that? The reply I'd like to give is decidedly non-Christian: "Yo' mama's a hallucination."
But then I think of the condescending narrator of Carroll's brainteaser: "Why, suppose the clock points to eight o'clock, don't you see that the clock is right at eight o'clock? Consequently, when eight o'clock comes round your clock is right. " And I remember that, however real the object of my faith is to me, I cannot reasonably expect Todd to understand that whatever it is in me that really knows what time it is—whatever light of "truth and grace" he sees in me—comes from God.
"In Him was life, and the life was the light of men." (John 1:4)
12:01 AM
|
Monday, January 27, 2003
Winding Up the Clock Analogy: Today I was pleased to receive some friends' thoughtful replies to my last couple of posts. I also received an e-mail containing a sharp comeback to the post on Tanked Michael's Weblog in which Michael explained at length his motives for not returning the bracelet. While I'm tempted to do a Spy and print the e-mail about Michael [remember when Spy used to publish letters to The New Yorker?], I don't feel right printing outside comments about his blog when he himself is willing to consider questions (if not comments) from his own readers.
On a lighter note, people who saw me at Friday's "Outsider Music" show at Fez were treated to a rare sight, as I had boldly experimented upon my hair with a crimping iron. I'd thought it would make me look like a 1984 Macy's Juniors mannequin. In fact, with hair jutting out by my ears under my black leather cap, I looked like nothing so much as Finlay Currie as Magwitch, the convict in David Lean's production of "Great Expectations."
10:00 PM
|
Sunday, January 26, 2003
Does Anybody Really Know What Time It Is? Having heard from both Tanked Michael and cartoonist (that's his self-portrait at right) Jeremiah Murphy that I failed to fully explain my Lewis Carroll reference, I would like to say a little more. I didn't want to go into too much detail in my earlier post, partly because I wanted to give a sense of my own inarticulateness and frustration in the conversation with J., and partly because I didn't know how to say what I wanted to say without sounding self-righteous. But this is a blog, and trying to fight the urge to champion one's beliefs in this medium is like trying to play a Sixties garage classic without a fuzzbox. So . . .
What struck me the most about Carroll's brainteaser was how brilliantly he satirized the futility of trying to explain a metaphysical concept that one knows is right. Using an example from my own circle of friends, when Tanked Michael picked up a gold bracelet that a woman dropped on the street, most of his friends who witnessed or heard about it believed that it would be right for him to return it. They may or may not have believed in God, but they believed that a higher concept of goodness should influence Michael to go against his desire to keep the jewelry. Yet, no amount of chiding on their part could make him agree that there was such a higher goodness, or that he should follow it. [UPDATE: Michael, who has posted a response to this post on his Web site, writes to me in an e-mail, "Just to be clear, I did not want that bracelet. I didn't want the woman to have it, which is not the same."]
How do we know the time? We get it from our clocks, which get it from the Atomic Clock or some such construction, which gets it from calculations which are ultimately based on the movement of the earth in relation to the sun. When we believe what our clock says, we allow ourselves to take on the clock's knowledge, so to speak.
Likewise, how do we know when we are right? If you believe in God—and this goes for Jews as well as Christians—then you believe that God is the source of rightness, and that being right means placing ourselves in a position where we admit God's knowledge, either by acknowledging it, or, as Christians would put it, allowing ourselves to take on his knowledge—to set ourselves by His clock, as it were.
But, as Carroll points out, using a transcendent metaphysical source for rightness strikes rational materialists—like J.—as a tautology. J. doesn't believe in a transcendent metaphysical source, so J. believes that those who point to that source are merely interpreting the world by their own rules—or by rules that other people made up. So J. is frustrated by my propounding a tautology, and I'm frustrated by my inability to make it seem like anything other than a tautology.
11:34 PM
|
Saturday, January 25, 2003
Put Your Second Hand in the Hand: What do people mean when they say, "Even a stopped clock is right twice a day?"
I think one of the things they mean is: Motives matter. The way that one reaches a conclusion has an importance all its own.
There is another way that a clock gone awry exemplifies an aspect of human behavior. Yesterday, I spoke with someone—I'll call this person "J."—who told me that everyone who held a certain belief—one near to my own heart—was "off." Not entirely crazy, J. said, but "off."
As J. spoke, I looked beyond to the clock on the wall of the diner where we sat, with its neon sign reading, "TIME TO EAT". It made me think of Lewis Carroll's brainteaser about which is more accurate—a stopped clock, or a clock that loses a minute every day. The answer is the stopped clock; the other one is right only once every two years.
I thought about what it meant to be "off" compared to J. If J. were set to the right time, and I were off by just one minute, such a seemingly small difference would gradually pull us farther and farther apart.
It wasn't until the next day, when I reread Carroll's brainteaser, that I realized just how much it chimed true. Perhaps I'm reading too much into it, but it strikes me as a painfully brilliant satire of all manner of apologetics:
THE TWO CLOCKS
WHICH is better, a clock that is right only once a year, or a clock that is right twice every day? `The latter,' you reply, `unquestionably.' Very good, now attend.
I have two clocks: one doesn't go at all, and the other loses a minute a day: which would you prefer? `The losing one,' you answer, `without a doubt.' Now observe: the one which loses a minute a day has to lose twelve hours, or seven hundred and twenty minutes before it is right again, consequently it is only right once in two years, whereas the other is evidently right as often as the time it points to comes round, which happens twice a day.
So you've contradicted yourself once.
'Ah, but,' you say, `what's the use of its being right twice a day, if I ca'n't tell when the time comes?'
Why, suppose the clock points to eight o'clock, don't you see that the clock is right at eight o'clock? Consequently, when eight o'clock comes round your clock is right.
`Yes, I see that,' you reply.
Very good, then you've contradicted yourself twice: now get out of the difficulty as best you can, and don't contradict yourself again if you can help it.
You might go on to ask, 'How am I to know when eight o'clock does come? My clock will not tell me.' Be patient: you know that when eight o'clock comes your clock is right, very good; then your rule is this: keep your eye fixed on your clock, and the very moment it is right it will be eight o'clock. 'But—,' you say. There, that'll do; the more you argue the farther you get from the point, so it will be as well to stop.
12:34 PM
|
Wednesday, January 22, 2003
And We Danced: Last Friday, Todd (sans trademark) and I went to see the Smithereens at B.B. King's with Forgotten New York king Kevin Walsh and his friend Mary Beth [sp.?]. Kevin's written a review of the 'Reens' excellent performance for his blog, but I'd like to add here that the opening act was also a real treat: Eric Bazilian, the hit songwriter ("One of Us") and former member of the Hooters (making a point in the photo at left).
I must admit, at the time of the Hooters' hits, I was too busy becoming a '60s garage snob (and following similarly-styled new acts like the Mosquitos) to fully appreciate them. Hearing Eric play ringing Big Star-via-Replacements chords on his Gibson and singing new, heart-on-sleeve tunes like "Ella Fitzgerald" and "Insomnia" (both of which may be heard on his MP3.com site), I realized I'd overlooked a genuine talent. Not to mention the goosebump feeling of hearing "And We Danced" live and realizing it was one of the most exhilarating pop tunes of its time—a feeling accentuated by lindying with Todd. Outrageously, it was the first time we'd danced together outside of wedding receptions. Great power pop, with its defining quality of wistfulness, was made for moments like that.
12:45 AM
|
Tuesday, January 21, 2003
The Gus That Was: I was recently invited to a memorial gathering for Gus Dudgeon, who died last year along with his wife, Sheila (with him at right), in a car crash. Although I am sadly unable to attend—it's in England—the invitation made me go through some of my old e-mail from Gus, whom I met at the Zombies-box record-release bash and with whom I corresponded for a while afterwards. I was especially touched by the two paragraphs that I've copied below.
The first paragraph came after I'd asked him how he and his wife had managed to sustain a relationship for so long. He was so generous with his advice. Reading it, I wish very much that I could talk to him now.
As for the Glyn Johns story, you can tell that, for someone whose productions had sold over 100 million copies, he was remarkably unaffected. No wonder his friends are gathering for a second time since his death. I'm sure they all miss having his sympathic and understanding ear, not to mention his delicious wit.
How's your lurve affair going...swimmingly I hope. As to your question about Sheila and me....well it's a very involved business. Suffice to say [....] the fact is that I'm Damn glad I married her, 'cos all the others were airheads in one way or another...and although we drive each other totally BONKO every now and again, she's still the only one I could have lived with all this time. I have absolutely no idea exactly what love is, (which doesn't help you much I'm afraid), but....I do love her dearly. It's something to do with caring, sharing, and always wanting to make it work, however bizarre the circumstances. Get it? I'm not sure I do.
And, from another e-mail:
Don't be concerned about the Lennon thing. Why on earth should I expectyou to know that I had worked with him? If it makes you feel any better, I ran into Glyn Johns awhile back, and we were sharing a table at a bistro. For some reason the name Bill Wyman came up and I was telling
him what a great bloke Bill is, and then asked Glyn if he'd ever met him!!!! Stupid boy Dudgeon...for Chrissakes, Glyn used to produce The Stones!!! We all drop boobs at times....cheers....Gus.
4:38 PM
|
Monday, January 20, 2003
Smiley Smile: Here's a wonderful image from
the WFMU Web site. Maurice is on the left. I was alerted to this by my neighbor
Irwin Chusid, who also gave me the headline.
12:14 AM
|
Saturday, January 18, 2003
[Note: I have removed this post's link to the video clip mentioned, as my Web server charges me each time it's downloaded. However, the clip's still up on my site, and, if you e-mail me a request, I'll send you the link.]Mutual of New York Never Sounded So Good: Thought I'd share a video clip sent to me by the very fine English singer-songwriter Bob Kelly. The clip, from December 2001, shows him in concert at Ira Rosen's My Dining Room, where he called me onstage to sing backup on his last number, a classic Tommy James tune. I should warn you that the clip in question is poor quality?Bob and I are practically in silhouette, it takes a very long time to download on a dial-up connection, and it's incomplete (I cut out the last few "Monys" to save disk space and download time). But if you have a good Net connection and a few minutes to spare, it's fun and gives you a taste of Bob's excellent performing ability (more of which may be heard on his label's Website).
On a related note, clicking on Bob Kelly's name above will take you to a review I wrote of one of his albums for Fufkin.com. At the time I wrote it, I was a little self-conscious about it, as it had a personal style more like what I use on this blog than what I would normally use in an album review. Now, with a year's distance, I'm surprised to discover that it's probably one of the best things I've written about a power-pop artist.
6:24 PM
|
Wednesday, January 15, 2003
Valli Girl: I haven't forgotten about posting readers' Beau Brummels/Four Seasons responses—those will probably go up tomorrow night—but, in the meantime, I just have to share the following note from Kevin Walsh which bridges that topic and another Dawn Patrol entry:I wonder if Cole Porter ever forgave Frankie Valli.
And we won't even "Try" to imagine what he would have thought of Stan Freberg's take on "I've Got You Under My Skin."
9:05 PM
|
Dearly Beloved, Let's Talk About the Weather: As I was editing the post below, the weather report came on 94.7 FM Family Radio. I have this cynical idea that the same guy who does the weather report in a soothing voice on that Christian station also does it in a devilish growl on the Howard Stern show, but now I'm not so sure. I just heard him say of the current Canadian-borne cold front, "The Lord holds it in his hands as far as the eventual development and movement of the system."
A Lump of Cole: Thought I'd share the following, which my downstairs neighbor, Irwin Chusid (whom I've known for an amazing 20 years), just sent to his friends. The Bob Hope line especially kills me:
Probing the net for some now-forgotten sliver of trivia, I stumbled across these Cole Porter lyrics. I don't share the cynical and oft-expressed opinion that there aren't great songwriters around nowadays. But I submit that there ain't NOBODY—now, then, or before then—what's ever writ lyrics such as these . . .
* * * *
LET'S TALK ABOUT LOVE
/ LET'S NOT TALK ABOUT LOVE
by Cole Porter
(complete lyric -- from Let's Face It, 1941)
Let's talk about love, that wonderful thing,
Let's blend the scent of Venice with Paris in Spring,
Let's gaze at that moon and try to believe
We're Venus and Adonis, or Adam and Eve,
Let's throw away anxiety, let's quite forget propriety,
Respectable society, the rector and his piety,
And contemplate l'amour in all its infinite variety,
My dear, let's talk about love.
Pretend you're Chopin and I'll be George Sand,
We're on the Grand Canal and, oh baby, it's grand!
Let's mention Walkures and helmeted knights,
I'm beautiful Bruennhilde, you're Siegfried in tights,
Let's curse the asininity of tribal consanguinity,
Let's praise the masculinity of Dietrich's new affinity,
Let's picture Cleopatra saying "Scram" to her virginity,
My dear, let's talk about love.
The weather's so warm and you are so cute,
Let's dream about Tahiti and tropical fruit,
I've always said men were simply deevine,
(Did you know Peggy Joyce was once a pupil of mine?)
Let's gather miscellania on Oberon's Titania,
Or ladies even brainier who've moved to Pennsylvania,
(Bucks County, so I hear, is just a nest of nymphomania)
My dear, let's talk about love.
My buddies all tell me selectees
Are expected by ladies to neck-tease,
I could talk about love and why not?
But believe me, it wouldn't be so hot,
So
Let's talk about frogs, let's talk about toads,
Let's try to solve the riddle why chickens cross roads,
Let's talk about games, let's talk about sports,
Let's have a big debate about ladies in shorts,
Let's question the synonymy of freedom and autonomy,
Let's delve into astronomy, political economy,
Or if you're feeling biblical, the book of Deuteronomy,
But let's not talk about love.
Let's ride the New Deal, like Senator Glass,
Let's telephone Ickes and order more gas,
Let's curse the Old Guard and Hamilton Fish,
Forgive me, dear, if Fish is your favorite dish,
Let's heap some more profanities on Hitler's inhumanities,
Let's argue if insanity's the cause of his inanities,
Let's weigh the Shubert Follies with The Ear-rl Carroll Vanities,
But let's not talk about love.
Let's talk about drugs, let's talk about dope,
Let's try to picture Paramount minus Bob Hope,
Let's start a new dance, let's try a new step,
Or investigate the source of Mrs. Roosevelt's pep,
Why not discuss, my dee-arie,
The life of Wallace Bee-ery,
Or bring a jeroboam on
And write a drunken poem on
Astrology, mythology,
Geology, philology,
Pathology, psychology,
Electro-physiology,
Spermology, phrenology,
I owe you an apology
But let's not talk about love.
Let's speak of Lamarr, that Hedy so fair,
Why does she let Joan Bennett wear all her old hair?
If you know Garbo, then tell me this news,
Is it a fact the Navy's launched all her old shoes?
Let's check on the veracity of Barrymore's bibacity
And why his drink capacity should get so much publacity,
Let's even have a huddle over Ha'vard Univassity,
But let's not talk about love.
Let's wish him good luck, let's wish him more pow'r,
That Fiorella fella, my favorite flow'r,
Let's get some champagne from over the seas,
And drink to Sammy Goldwyn,
Include me out please.
Let's write a tune that's playable, a ditty swing-and-swayable
Or say whatever's sayable about the Tow'r of Ba-abel,
Let's cheer for the career of itty-bitty Betty Gra-abel,
But let's not talk about love.
In case you play cards, I've got some right here
So how about a game o' gin-rummy, my dear?
Or if you feel warm and bathin's your whim,
Let's get in the all-together and enjoy a short swim,
No honey, I suspect you all
Of bein' intellectual
And so, instead of gushin' on,
Let's have a big discussion on
Timidity, stupidity, solidity, frigidity,
Avidity, turbidity, Manhattan and viscidity,
Fatality, morality, legality, finality,
Neutrality, reality, or Southern hospitality,
Pomposity, verbosity,
You're loosing your velocity
But let's not talk about love.
http://www.sas.upenn.edu/~dfox/porterlyrics.html
6:47 AM
|
Monday, January 13, 2003
Sad:
Todd and I broke up last night.
I don't feel like going into detail on The Dawn Patrol right now, and probably won't at all. We are still on friendly terms, and are even planning to go to a concert soon. There was and still is unquestionably a great deal of love between us, but it did not work out. I am very, very sad about it.
11:07 PM
|
It's Di-lightful! It's Di-dactic! It's Di-Nizio!Last Thursday, My Boyfriend Todd and I went with Tanked Michael to see Smithereens singer and songwriter Pat DiNizio speak to the New York Young Republican Club. Having run in New Jersey as a Reform candidate for the U.S. Senate in 2000, DiNizio had a lot to say about what it's like being an outspoken non-lefty in the rock world. (Actually, calling him a non-lefty is putting it mildly. He told the Young Republicans that he was even to the right of the Republican party.
Pat admitted to being a Frank Capra-style champion of the common man. While he did not discuss many specific issues, his desire to preserve freedoms and improve lives was clearly heartfelt. I've been acquainted with him since I was a 16-year-old Smithereens fan (a fact he noted very kindly to the crowd after I raised my hand to tell everyone that the Smithereens would perform at B.B. Kings on the 17th), and, even though I didn't agree with all his points, I was somewhat taken aback by the depth of his conviction. It was refreshing to see a sane, thoughtful person speak to a New York City Republican gathering who cares about so much more than just Bush and Bloomberg.
The photo above of Todd and me flanking Pat was taken by Michael Malice, which perhaps explains why Todd has the biggest smile I've ever seen him display in a photo; our lensman had probably just let loose one of his zingers.
10:43 PM
|
Friday, January 10, 2003
[Note: The following two posts were originally made on January 11 and 10, respectively, but the dates got messed up while I was trying to fix bad HTML.]
Hollywood Arms: Well, actually, the December 27 photo above features just My Boyfriend Todd's New York City arms and mine, but it's from the night we saw the tragicomic, multi-generational play Hollywood Arms. The photo was taken by my old friend Bill Pitzonka (right, twixt D&T, in flagrant violation of posted city codes), a former New Yorker who has relocated to the real LA-LA-Land, where he faces the sometimes tragicomic situation of overseeing album art for persnickety old and no-longer-megapopular music acts—not that I have anything against old music acts, of course. Bill and I also worked together on several liner-note projects, including the Sunshine Days series for Varese Vintage, which we penned under a classic pseudonym that he devised (which would make a great Tuesday Night Trivia team name): Man Cherry & Candy Date. (For a list of many of Bill's CD covers, as well as his liner-note achievements, see this page from the All Music Guide.)
Soon to Come: I've hardly been home this past week, adjusting to my new work sked and spending my free time with My Boyfriend Todd, but will have lots to post next week, including a night at "Hollywood Arms" (click here for a lover-ly preview), Pat DiNizio's speech to the New York Young Republican Club, and the whopping four responses, all interesting, to my "Laugh, Laugh" post.
2:11 PM
Tuesday, January 7, 2003
"... Don't Know Everything There Is to Know": I just read Alec Palao's liner notes to the Beau Brummels' Autumn of Their Years and was surprised to learn that Ron Elliott penned "Laugh, Laugh" after hearing a verse of a Four Seasons song on the radio in the spring of '64. Now that I think about it, "Laugh, Laugh" really does sound like a Four Seasons song, in a weird way. It's definitely got that Crewe-Gaudio thing going. Could anyone tell me which Four Seasons song might have inspired it? The group's biggest hit that spring was "Dawn (Go Away)," but I can't hear any connection.
2:12 PM
|
Can You Stomach It? When I posted on Sunday night, I was so excited about the toy-gun headline that didn't make it, that I completely forgot about a good one I wrote that did. It was in yesterday's paper, atop a story about a cook making haggis in honor of Robert Burns's birthday: Scots chef takes his Burns to heart."
1:34 AM
Sunday, January 5, 2003
Would That Be License Number H2Double-0? If the story doesn't get cut or moved, tomorrow's paper will contain my headline about an outrageous New York City council resolution that would ban all toy guns, even water pistols: "Toy-gun ban may remove kids' license to squirt".
11:45 PM
Friday, January 3, 2003
'Baugh-ing Out: I was surprised to learn just now, reading an article from Monday's Times, that New York Press has just been purchased by new owners—and that their first act was to fire John Strausbaugh. While I had my differences with John towards the end of my year and a half at the Press (late '94-early '96), overall he was a good editor—fun to work with, intelligent, and insightful.
12:41 AM
|