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Caricature above by the fab JD King. The book I am holding is Witness, by Whittaker Chambers.

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-at- dawneden.com

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The exploits of Dawn Eden
 
Saturday, January 25, 2003
Put Your Second Hand in the Hand: What do people mean when they say, "Even a stopped clock is right twice a day?"

I think one of the things they mean is: Motives matter. The way that one reaches a conclusion has an importance all its own.

There is another way that a clock gone awry exemplifies an aspect of human behavior. Yesterday, I spoke with someone—I'll call this person "J."—who told me that everyone who held a certain belief—one near to my own heart—was "off." Not entirely crazy, J. said, but "off."

As J. spoke, I looked beyond to the clock on the wall of the diner where we sat, with its neon sign reading, "TIME TO EAT". It made me think of Lewis Carroll's brainteaser about which is more accurate—a stopped clock, or a clock that loses a minute every day. The answer is the stopped clock; the other one is right only once every two years.

I thought about what it meant to be "off" compared to J. If J. were set to the right time, and I were off by just one minute, such a seemingly small difference would gradually pull us farther and farther apart.

It wasn't until the next day, when I reread Carroll's brainteaser, that I realized just how much it chimed true. Perhaps I'm reading too much into it, but it strikes me as a painfully brilliant satire of all manner of apologetics:

THE TWO CLOCKS

WHICH is better, a clock that is right only once a year, or a clock that is right twice every day? `The latter,' you reply, `unquestionably.' Very good, now attend.

I have two clocks: one doesn't go at all, and the other loses a minute a day: which would you prefer? `The losing one,' you answer, `without a doubt.' Now observe: the one which loses a minute a day has to lose twelve hours, or seven hundred and twenty minutes before it is right again, consequently it is only right once in two years, whereas the other is evidently right as often as the time it points to comes round, which happens twice a day.

So you've contradicted yourself once.

'Ah, but,' you say, `what's the use of its being right twice a day, if I ca'n't tell when the time comes?'

Why, suppose the clock points to eight o'clock, don't you see that the clock is right at eight o'clock? Consequently, when eight o'clock comes round your clock is right.

`Yes, I see that,' you reply.

Very good, then you've contradicted yourself twice: now get out of the difficulty as best you can, and don't contradict yourself again if you can help it.

You might go on to ask, 'How am I to know when eight o'clock does come? My clock will not tell me.' Be patient: you know that when eight o'clock comes your clock is right, very good; then your rule is this: keep your eye fixed on your clock, and the very moment it is right it will be eight o'clock. 'But—,' you say. There, that'll do; the more you argue the farther you get from the point, so it will be as well to stop.



12:34 PM  |

Wednesday, January 22, 2003
And We Danced: Last Friday, Todd (sans trademark) and I went to see the Smithereens at B.B. King's with Forgotten New York king Kevin Walsh and his friend Mary Beth [sp.?]. Kevin's written a review of the 'Reens' excellent performance for his blog, but I'd like to add here that the opening act was also a real treat: Eric Bazilian, the hit songwriter ("One of Us") and former member of the Hooters (making a point in the photo at left).

I must admit, at the time of the Hooters' hits, I was too busy becoming a '60s garage snob (and following similarly-styled new acts like the Mosquitos) to fully appreciate them. Hearing Eric play ringing Big Star-via-Replacements chords on his Gibson and singing new, heart-on-sleeve tunes like "Ella Fitzgerald" and "Insomnia" (both of which may be heard on his MP3.com site), I realized I'd overlooked a genuine talent. Not to mention the goosebump feeling of hearing "And We Danced" live and realizing it was one of the most exhilarating pop tunes of its time—a feeling accentuated by lindying with Todd. Outrageously, it was the first time we'd danced together outside of wedding receptions. Great power pop, with its defining quality of wistfulness, was made for moments like that.


12:45 AM  |

Tuesday, January 21, 2003
The Gus That Was: I was recently invited to a memorial gathering for Gus Dudgeon, who died last year along with his wife, Sheila (with him at right), in a car crash. Although I am sadly unable to attend—it's in England—the invitation made me go through some of my old e-mail from Gus, whom I met at the Zombies-box record-release bash and with whom I corresponded for a while afterwards. I was especially touched by the two paragraphs that I've copied below.

The first paragraph came after I'd asked him how he and his wife had managed to sustain a relationship for so long. He was so generous with his advice. Reading it, I wish very much that I could talk to him now.

As for the Glyn Johns story, you can tell that, for someone whose productions had sold over 100 million copies, he was remarkably unaffected. No wonder his friends are gathering for a second time since his death. I'm sure they all miss having his sympathic and understanding ear, not to mention his delicious wit.

How's your lurve affair going...swimmingly I hope. As to your question about Sheila and me....well it's a very involved business. Suffice to say [....] the fact is that I'm Damn glad I married her, 'cos all the others were airheads in one way or another...and although we drive each other totally BONKO every now and again, she's still the only one I could have lived with all this time. I have absolutely no idea exactly what love is, (which doesn't help you much I'm afraid), but....I do love her dearly. It's something to do with caring, sharing, and always wanting to make it work, however bizarre the circumstances. Get it? I'm not sure I do.

And, from another e-mail:

Don't be concerned about the Lennon thing. Why on earth should I expectyou to know that I had worked with him? If it makes you feel any better, I ran into Glyn Johns awhile back, and we were sharing a table at a bistro. For some reason the name Bill Wyman came up and I was telling
him what a great bloke Bill is, and then asked Glyn if he'd ever met him!!!! Stupid boy Dudgeon...for Chrissakes, Glyn used to produce The Stones!!! We all drop boobs at times....cheers....Gus.

4:38 PM  |

Monday, January 20, 2003
Smiley Smile: Here's a wonderful image from the WFMU Web site. Maurice is on the left. I was alerted to this by my neighbor Irwin Chusid, who also gave me the headline.

12:14 AM  |



 
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